I know a lot of folks out there may think American Idol is stupid or worthless...or is only contributing to the problems in today's music scene (not enough originality, mediocre bands, etc.). I can understand some of those arguments, especially in light of the last couple seasons, but I also enjoy a few of the alumni of the show (Chris Daughtry, David Cook and Kelly Clarkson being my favorite three) and think that it makes for great television--when the show is working. The problem is that is wasn't working the last few seasons...especially last year after Simon Cowell had announced his departure and obviously did not care about the proceedings he was sticking around for. During the off-season, there were changes and rumors and some wondered if the show would come back at all...I wondered if it was even possible to breathe new life into the show. About 2/3 of the way through the season, I think we have an answer...at least a partial one.
The most obvious change was the shake-up at the judges' table. Along with Cowell fleeing the scene for his own show (X-Factor, debuting this fall on Fox), Kara DioGuardi and Ellen Degeneres decided the show was not a good fit for her. The producer for the first few seasons, Simon Lithgoe, was brought back and he decided that it would be best to go back to the "3 judge" format. This in itself was a relief as the last two seasons the judging process took way too much time with 4 judges, prompting the show to exceed its time-limit more than a few times. Jennifer Lopez and Steven Tyler were eventually announced as the new judges and the speculation started. "Would J-Lo be the new Paula? Would Steven Tyler be the new Simon?" During the audition rounds, I thought J-Lo and Tyler acquitted themselves nicely, giving great feedback, often funny comments, and letting kids down easily rather than having the personality of a wood chipper like the departed Mr. Cowell. A good start.
The second big change was the mentoring process. In previous seasons, a big-name star who had a new album or movie to hock would be brought in and would give the contestants pointers about the songs they chose and how they chose to sing them. While it was nice for these kids to meet stars, most of the time these mentors were fairly worthless in actually providing help. This year, Idol enlisted the talents of mega-producer Jimmy Iovine, who has worked with Tom Petty, Bruce Springsteen, U2, Eminem, and Dr. Dre among others. He has served as the primary mentor for the kids, along with a producer crew that includes Don Was, Tricky, and several others. The result has been a more polished crew of contestants than we have seen in past seasons.
The most important part of the show, though, is the talent. In the last couple years, it has become apparent that a good portion of the undiscovered talent that would audition for Idol had already done so. They lowered the age limit this year to attract so new blood and it really has done much to revitalize the show, even if the younger kids do not end up winning the show in the end. James Durbin is a very talented young man with Tourette's Syndrome; his ticks all go away when he gets on-stage and starts singing, though. He was the first to bring a Judas Priest song to the Idol stage and I think the first to have a pyrotechnic-laden piano as well. Lauren Alaina is a 17-year old from Rossville, Georgia, and if you know your geography, you'll realize that is right over the state line from Chattanooga, TN...so she is our "local girl" for the show this year. She sings country and does so with a depth of talent that I'm not sure even she understands yet; I look forward to hearing how much better she is when her voice fully matures. Casey Abrams is an odd character with an amazing range of musical talents, but mostly in the jazz arena, which is a difficult sell to today's music-buying public. He got the "judges' save" earlier this season and keeps surprising the viewers with his song choices and musicianship on the bass. Paul McDonald was brought in from the Nashville auditions and is definitely the most original vocalist I have ever heard on Idol; he is quirky and bizarre, with a voice not unlike early Rod Stewart. Interestingly, he already had an indie-album out on iTunes when he started appearing on the show; his band is called "The Grand Magnolias" and they've been together several years. For him (and them), the show is almost more of a promotional tool. Every year Ryan Seacrest proclaims "we have the most talented group yet," but this year, I don't think that was hyperbole.
If you're still reading, so far it sounds like I have nothing but good to say about Idol this year so my conclusion should definitely be "Rebirth," right? When I first conceived of this article, that was the direction I was going, but the last couple weeks have made me re-think that. Here's the one fly in the ointment...the judges have pretty much stopped judging. Instead of offering constructive criticism or just telling someone flat-out "that was not good," they seem to all be trying to be the anti-Simon...giving nothing more than verbal back-rubs and flowery compliments. So, the jury is still ultimately out on if Idol is worth keeping around. The changes made have been very helpful for the most part and I think there may be a few good years left...if they can get J-Lo, Randy, and Steven to start doing their jobs right.
Agree or disagree, if you have an opinion on the matter, I would love to hear it. Leave a comment below...